02.12:133

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from Ward Kelly's histories of souls

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WARD KELLEY
Shine Eye Gal

There is a voice, a haunting by notes, a voice to this ghost, stretching notes on and on, to implore, to yearn, the breathing ones to come forth . . . to be judged. There is a dead woman singing in my ear, her name is Puma, running, running, eyes haunting sounds of night gliding by the skin of jungle cats who hide the souls of those who might be judged. What does this ghost want to sing to us who breathe the air of our own desires? She does not sing words, for only haunting notes are singular enough to bear a soul forth . . . to bring one of us forward. This, then, is what the ghost will do . . . she will sing of wrongs and cinder love, she will hum of injustice, this ghost in my ear; she will yearn and she will think oh why come forth, oh why, only then to die . . . but we all must sing this particular song, although few know what the ghost did sing . . . how the only judges of us all, at the end of all the breathing, the only judge is our very own soul who must judge the actions of its own singular life. Yes, then, it's what the ghost still knew, her own soul judging her alone; one sees it in her eyes.
Sandra Jones (1953-1990), received her Masters at Columbia University and went to Jamaica to labor in the social work field. She was overheard by aspiring reggae musicians as she sang a song in her apartment, a sound they later described as 'ethereal.' Together, they formed the group Black Uhuru, with uhuru being the Swahili word for freedom. Sandra assumed the name of Puma Jones, and the group went on to be highly successful, earning the first grammy by a reggae group. Michael Rose, a member of the group, once defined Puma's singing, “To tell the truth, she couldn't sing reggae that much, but she had a unique sound, something between jazz and opera. It gave us a different flavor, a sound nobody heard before.” Starting to lose her health, Puma left the group in 1986. She died of cancer on January 28, 1990.

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02.12:133

from ward kelly's histories of souls

return to contents, this issue

copyright
  
T. S. Eliot (1888-1965) was arguably the most influential poet of the 20th century. Born in St. Louis, Missouri, Eliot was educated at Harvard, but then moved to England where he became a British citizen in 1927. Best known for his poems “The Love Song of J. Alfred Prufrock,” and “The Waste Land,” Eliot was awarded the Nobel Prize for literature in 1948. According to Eliot's instructions, his tomb was engraved with the phrase, 'in the beginning is my end, in the end is my beginning.' The title of the above poem was taken from the dedication to his poem “Gerontion.”

WARD KELLEY
Thou Hast Nor Youth Nor Age

I cannot bend this chord, I cannot frame the sunlight into a more succinct sound; and this is what I found, that certain things of the earth must be taken as they come from this ground we all walk. We all rose up, you know, all things pure, all forthcoming, all must rise from the ground, and this is what I found, or meant, that all of us of earth will catapult through air, sizzling through the firmament. And we can pound and pound the songs forthcoming, beat with fists and bone and flesh, pound and pound the planet's simple song, but never will we bend the chord that is our fate, those of us who, once flying, must now learn to burrow into the ground. Pound and pound, then run this song from town to sound of water, water, pound and pound and pound, throughout the simple town, round and round, and this is what, at last, is right there to be found . . . that our very souls - the very end, the very beginning - are round and round and round.

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