02.12:134

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CAROLE NELSON PHILLIPS
We Left, You Returned


beyond these ochre walls, roses and safety of years another house: fat smells from communal kitchen hung in our room, my mattress thin on the floor beside your cot beneath a window looking out to nothing, chains on a door to less. night cries at morning became hair in blood on an oven, ignored while milk heated. we left, now you return, blood in your hair, and me drowning in the scent of roses
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02.11:131

I much admire the stark lines of this poem; within narrowed margins of time and place, the people come alive. As distinct as they are from one another, this is family whose "yes yes" to one another is a simple human validation we can all admire.
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NANCY HAIDUCK
Summer


This ledge of the Bronx between the last bus on Tremont Ave and the East River gets crazy in June when the sun stretches at nine and goes down to a watchman's gig in the city. Yes Yes Summer is here. His young wife and sun-burnt daughter have quit the cramped house in the flicker of tv light to enjoy the warm night air, honeysuckle, the blink of fireflies and a breeze cutting a swath to places beyond Tremont Ave, even beyond the city, as low river tides churn multitudes of glass and sand and leave something to be desired. They sit on the steps expecting the watchman's familiar gait, his starched white shirt gleaming like the moon. Soon he will answer their kisses, "Say, do you want to go for a midnight cruise on the Staten Island Ferry?" "Yes!" "Yes!" Summer is here. But for now, an old woman puts down her bags in front of him. She wants a rest, and so he opens a folding chair by the revolving door in the street lamp's nimbus, "I don't care if I get in trouble." She wraps her swollen hands around a cardboard cup of tea and bides her time. Yes, yes, Summer is here.
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