03.04:047

do not retell the obvious tale nor the feelings it generates - T.S. Eliot

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George Inness (1825-1894), American landscape painter, was largely responsible for introducing the French Barbizon style in the United States. The victim of epilepsy, he was also given to eccentric behavior and possessed a mystical personality. His son reported his father died viewing a particularly exquisite sunset; though weakened from his final illness, Inness threw his hands in the air while exclaiming, “My God! Ah, how beautiful!” then fell to the ground, dead. - Ward Kelley
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WARD KELLEY
Consoles Us Dying Ones

from histories of souls
Death does not come humble, it arises like a lion, unsettles the air like a condor, springs from the oceans as purposeful as a dolphin cutting the horizon. You should not lay in fear, you, the receptor of this final expression of the breathing; Death does not come forward to humble you, it arises, an animal, to transfer you on and on. Humble is not the stance to take in front of this creature of hope, and it is only a lack of understanding that keeps you from mounting the back of this graceful, forgiving, beast.

copyright 2003 WARD KELLEY
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03.04:047

POINT of View unifies a chaotic world fragmented by loss of faith - JH

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sponsors WARD KELLEY WARD KELLEY Poetry Magazine
  


WARD KELLEY
Tygers, Sickles and Crack
from histories of souls


The destination, you know, is forever unseen, suspected, intuited, but never squeezed, even though thousands of religions steel-trapped probable answers such as incense, snakes or oft described graces . . . opiates, some say, for whole populations, while others contend the true laudanum can be discerned while illuminating tygers and xanadu: we're all composing types of prayer, and if words were a form of drugs, then surely poetry is crack cocaine itself . . . yet where is the source of such an exact exhilaration if not the final certitude? Unseen, but perhaps we can glimpse it in rearview mirrors as poets make drive-bys at the truth, scratching away with bones and cogs . . . never quite squeezing off the headshot, but wounding it for certain.
copyright 2003 WARD KELLEY

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