03.06:069

KAREN ALKALAY-GUT -

THOMAS UNGAR, who managed the computer laboratory of the School of Mathematics at Tel Aviv University until his untimely death in 1997, had written a great deal of poetry in Czech before he began to sit in on my classes on Women's Poetry. Under the influence of Sylvia Plath, Anne Sexton and some of my own poems, he began to write about himself, and about the inner world. When he became ill with a virulent cancer, he found this discovery useful and comforting – "I'll write a sonnet a day," he said, "and it will be like an apple keeping the doctor away." He would e-mail me these sonnets and I would comment, absurdly, trivially, but knowing that he just needed to know I was reading him in order for him to grasp each time a greater and greater control over a more and more uncontrollable situation. After he died, I wrote a poem to him, and discovered his influence on me was much greater than mine on him.

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Karen Alkalay-Gut teaches poetry at Tel Aviv University. Her many poetry books include The Love of Clothes and Nakedness (Sivan, 1999) and High Maintenance (Neamh, 2002).

sponsors THOMAS UNGAR KAREN ALKALAY-GUT return to contents, the classroom issue
  


KAREN ALKALAY-GUT
On the Statistic Probability of Miracles


I
 
You would have said the cards
were badly shuffled – After all
the actual probability 
that so many unrelated friends 
would die this summer
is in no proportion
to this little epidemic,  
this cancer – one up north,
one next door, one overseas. I try
to change the context, grumble
that I'm  fixated on disease, ignoring 
the majority who remain. But
changing the field means 
nothing to the heart.
 
 
II
 
“So what should I pick you up at Lourdes?”
Your tired voice on the phone answers my weak flippancy
with a real request. “Armanac.”  As if 
lifting your spirits would change
the odds. To make sure,
I buy the cognac even before I leave.
To leave no stone unturned
I visit the Cave of Miracles
as soon as I arrive. 
 
And as my fingers pass
over the rocks of Bernadette's cave, 
sweeping up her tears in a prayer,
I try to become 
one with the country wives before me
whose faith may just
shift the odds.
 
Once out of the cave
My cold objectivity returns:
It is known 
that a crippled man in a broken wheelchair
was sprinkled all over with the water of Lourdes
and when it was over, his wheelchair
was like new
 
 
III
 
I think of your sweet obsessions,
so childish for so big a man, 
so inappropriate to a scientist,
and then consider your proposed article
on “The Scientific Probability of Miracles.”
 
It came down to – 
If I can beat the computer 
at three-card Vegas solitaire,
the chances are
I can stay alive

copyright 2003 KAREN ALKALAY-GUT
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03.06:069

KAREN ALKALAY-GUT -

THOMAS UNGAR, who managed the computer laboratory of the School of Mathematics at Tel Aviv University until his untimely death in 1997, had written a great deal of poetry in Czech before he began to sit in on my classes on Women's Poetry. Under the influence of Sylvia Plath, Anne Sexton and some of my own poems, he began to write about himself, and about the inner world. When he became ill with a virulent cancer, he found this discovery useful and comforting – "I'll write a sonnet a day," he said, "and it will be like an apple keeping the doctor away." He would e-mail me these sonnets and I would comment, absurdly, trivially, but knowing that he just needed to know I was reading him in order for him to grasp each time a greater and greater control over a more and more uncontrollable situation. After he died, I wrote a poem to him, and discovered his influence on me was much greater than mine on him.



PoetryRepairShop Classroom Issue

sponsors THOMAS UNGAR KAREN ALKALAY-GUT return to contents, the classroom issue
  


THOMAS UNGAR
Sonnet

We train for death at first a few moments every day
then minutes and then hours and then we can go on
for days and days without a break and when we have
mastered this peculiar art of being we may try
the elusive not being at all which is even simpler
and does not demand anything from those being alive
and waiting for their place in the crowded being not
Then comes the marvelous luxury of being never
when every stone is carefully washed of our touch
and the air is filtered for any trace of our being here
and at last there comes the extraordinary moment
when the whole universe is baked anew so something
or somebody can be sure that no atoms of ours do their
being or being not
copyright THOMAS UNGAR

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