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MICHAEL PAUL LADANYI
So Loud and Red

So Loud and Red 
Vincent died yesterday, 
his mind a peach can,
tin-rattle horn painted sputter.
He drove to work this morning 
with bloody cotton in his eyes. 

He liked to collect white
toothbrushes and old string, 
lay them on a 1950's school 
desk beside a fetal curled 
copy of Dylan's 19 poems. 
He used to think so loud and red.
 
I have often thought that 
small hands could protrude from 
these green and chalk walls, 
wash corn yellow ghosts 
from themselves. 

This room's worn brown
carpet is an accusing hole, 
soaks up poison words,
hemophilic bone nerve-tick 
soundproofing. 

It is raining beside my chair, 
it smells like burned newspaper 
and cut grass. Vincent is
sleeping on a park bench 
next to tangled blue flowers, 
spiders and poetry.


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Jiangsu furnitureChina
MICHAEL PAUL LADANYI PATRICIA GOMES


Peru
   poetryrepairs.com 04.06:061


PATRICIA GOMES
The Mad Poet


I got caught in his headlights,
swept up by his credentials, 
as dazzled as he 
by the arm's length of publishing credits
he claimed. Genius, they called him.
Obsessed with the mirror's reflection
and the high C's he habitually missed.
I rode shotgun, assuming I was necessary
to his half-composed nocturne and the notes
he was ill-equipped to hit 
if left to his own devices.
I stumbled,
he glided
past cracks
in the stairs
and peeling bark.
He brought me a fiery skyline
causing me to erroneously equate
gay + poet = brilliance.
I followed him 
through prickly mazes at Chinese monasteries,
refilled his refillable pens,
and paper-toweled the blood trails 
of beheaded statuary 
all the while assuming that once the film had lifted 
from his eyes
there would be a coming to
of good sense;
there would be soulful kisses 
with my fingers locked in his hair;
I would earn, at last,
his praise. None of this occurred. 
As his madness progressed,
we planned concertos, plotted column width, debated
what John Q. would accept as intellect
and what would be labeled blasphemy.
We did these things over wine and Wagner,
candles and cheese —
yes, even the fantasies 
came with a symphony.
It was no secret that I loved deeply,
but in the end, self-preservation ruled
and I left him alone 
with ladder-back metaphor 
to write of feathers sprinkled with crushed bone
as the latest trend dictates.
He labors intensely
while burning sage
and imitating his own old works.


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The name is:
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MICHAEL PAUL LADANYI PATRICIA GOMES
RE So Loud and Red copyright MICHAEL PAUL LADANYI - From author Michael Paul Ladanyi, comes his latest book, Humming Riddles in Naked Seasons, which is now listed with Amazon.com, and is available for pre-order through them and the publisher, Sun Rising Books! Price $16, ISBN 0-9755955-0-4.
"His rhythm and meter are flawless and the images perfectly suited to seasons losing their light in a worldly sense and gaining it back through words." Janet Buck, poet, author and six-time Pushcart Nominee.
"Ladanyi's poetry takes its place among the rare worthwhile poetry written during our postmodern age." Duane Locke, poet, author, Professor of the Humanities. "Michael Paul Ladanyi's images are rich, his rhythms deeply musical. His poems readily unfold, immediately impacting a reader; and, yet, like an exquisite painting, they maintain a certain mystery, even after multiple readings." John Amen, poet, author and Editor of The Pedestal Magazine.
RE The Mad Poet copyright PATRICIA GOMES : Creator of the Octologue, an eight-line syllabic form of poetry, Patricia Gomes is an interviewer for Lily , and the assistant editor of Adagio Verse Quarterly . Her work has appeared in dozens of electronic journals in addition to print anthologies. In April 2004, Lit Pot Press published her chapbook, Stroking Castro's Beard