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But shit , the orgasm was real for me anyway by MARIE KAZALIA

These poems appear with the poet's permission.

Now available from RED HAND PRESS - Blue Language SEXUAL CONTENT no apology SEXUAL CONTENT 40 pages of erotic poetry and prose by MARIE KAZALIA with hand painted stenciled cover art -- signed & numbered limited edition $8. (add $2. S&H to US address) Send CASH, CHECK or M.O. made payable to MARIE KAZALIA, to

RED HAND PRESS
PO BOX 432344
SAN FRANCISCO CA 94142-2344


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MARIE KAZALIA
But shit , the orgasm was real for me anyway			
he/she fucked me strapped-on a hard plastic dildo sliding on artificially flavored lube musta caused the latex condom to pop-- cuz now I'm pregnant with a plastic baby doll I'm gonna give up for adoption to Matell toys incorporated my breasts full now with artificial creamer runny mucus dripping from my nose into my instant coffee-- artificial sweetener he/she--my lover--born male--- but after a sex change operation hadda get our marriage license outta vending machine sign with orange crayola sealed with a Mickey Mouse sticker his/her orgasm forever locked inside

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Proofreading Correctly - Part II by DON DEWSNAP

DON DEWSNAP is a master proofreader working with Writer Services in providing proofreading, editing and writing services to publishers, businesses and writers.

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DON DEWSNAP
Proofreading Correctly - Part II			
In Part I of this article, I went over the five main requirements for proofreading correctly:
1) ASSUME THERE ARE ERRORS 2) DOUBLE-CHECK 3) USE A DICTIONARY 4) CHECK FOR CONSISTENCY 5) TAKE YOUR TIME
In this part, I will get into more of the nuts and bolts of proofreading correctly. The single greatest obstacle to proofreading correctly is the way in which people read. When a person reads, he sees whole words, not groups of individual letters. Moreover, the mind automatically corrects errors in spelling, if the word “looks” right. Thus, the mind will read “errror” or “erorr” as if spelled “error.” This is why you have to Assume There Are Errors. When you do, you are consciously overruling the tendency of the mind to correct as it reads. The solution is to read every single word individually, rather than as part of a sentence. At first, this takes longer, but with practice, it is not as hard as it sounds. After you have read every single word, go back and read the sentence as a whole, just to make sure it makes sense. This is when you find out if a word has been left out or a completely wrong word was used. For example, in the sentence, “Polar bears are frequently seen in Florida,” the words are correct, but the meaning reveals an error. Either the word “frequently” should be “infrequently,” or “Florida” should be “Alaska.” As a proofreader, it is not your job to edit, other than to correct obvious errors. It IS, however, your job to bring suspected errors to the attention of the author or whoever is responsible for correcting them. Proofreading is a thinking person’s game, not a mechanical spelling and grammar checking activity. The next subject is Double-Checking. Here is a list of five of the most frequently missed errors:
1. Headlines, Headings and Subheads 2. Two-Part Punctuation, such as parentheses and quotation marks 3. The Numbering in Numbered Lists (if the author takes an item out of the list, he might not remember to re-number the rest of the list) 4. Page Numbers (if a page has been added or deleted, the numbering can go awry) 5. Telephone Numbers
Few things in life are more embarrassing than a misspelling in a headline. NEVER let it happen to you. Double-check all headlines. Almost as sad is sending out a printed piece with an incorrect company phone number. Who thinks to check the phone number" YOU DO! Ideally you will double-check everything anyway, but the above is the absolute minimum you should check twice, even if time is at a premium. As for Using a Dictionary, I’ve been caught more than once by a word I thought was wrong which turned out to be correct. If you think a word is wrong, look it up. It may have a meaning you are not aware of, or it may have two correct spellings. Both “parakeet” and “parrakeet” are acceptable spellings. It may just be a word or spelling you don’t know. “Tortious,” “tortuous,” and “torturous” are all good words. If you are not sure whether “principal” or “principle” is the right word for the context, don’t just go with what the author wrote: look them up. The dictionary is also necessary for hyphenation. Dictionaries occasionally disagree on how a word can be hyphenated, but for the most part, they are reliable. Computer hyphenation programs are much less trustworthy. You may choose not to hyphenate at all and live with the unsightly results, but there is no reason to. Tests have shown that reading comprehension and reading speed are not affected by occasional hyphenation. Now we get into Consistency. I cannot overstress the importance of consistency within a document. What is consistency" It is when identical elements of a printed piece are treated in an identical way. Inconsistencies can be subtle, even subliminal, but they detract from the appearance and the effect of the document. In a promotional or educational piece they can make a significant difference in results. At the very least they are unprofessional and the mark of an amateur. The list of what inconsistencies can occur in a document is far too long to fit into one article. However, they do fall into a few groups, which I will touch on here. The big one is Spacing. In lists, if the spacing between a bullet and that bullet’s text is different from one list to another, that is an inconsistency. If the space between a picture and its caption varies from page to page; if the space between lines or paragraphs, or headings and text differ throughout the document; if the indents are all over the place: all are inconsistencies. The only way around this is to compare the space around identical items on different pages. Often you will find they do vary. As the proof- reader, you have to pick one, and make all the others agree with it (mark them up as “Make spacing same as on page 9”). This can be time-consuming, but it is necessary. The next big one is Formatting. Formatting includes type font and type size especially. Type font includes whether the type is regular, bold or italic. Similar headings should all be the same font and size. Any subsidiary elements (bylines, subheads, captions, extracts, boxed text, etc.) must be consistent. Another big area of inconsistency is Wording. Especially, does the wording on the actual chapter or section headings exactly match the wording in the Table of Contents" This is very easy to miss unless you make a point of looking for it. (While you are at it, check the page numbers in the Table of Contents to make sure they are accurate – just a hint.) If chapter headings are similar in nature, are they worded similarly" (If one is “John – His Story” and the next is “Jane’s Story,” well, that’s just inconsistent.) Then there is Structural Consistency. This includes the hierarchy of headings, and internal compositional style. Hierarchy of headings mean that headings that look the same should be of the same importance. All your 18-point bold headings, for instance, should signal major new thoughts or subjects, which are broken into sections with consistent 12-point bold subheads, which may be further broken down with 11-point italic sub-subheads. You do not want to see your 18-point subjects broken down later by your 11-point italics. Inconsistent hierarchies can cause confusion and misunderstanding for readers. Internal compositional style is best handled by using a Style Sheet, which you add to as you go along. Do you use a comma before the “and” in a series" (Blue, yellow, and green.) Don’t use a comma with “and” sometimes and then other times not use it. Be consistent. Don’t abbreviate the word Doctor with “Dr.” in one place and then spell it out in the next. Punctuation comes in here as well: if you have periods after the text in one bulleted list, you had better have them in the others as well; either with or without, all or none. Capitalization in lists must be standardized. Write down all of these repeated elements and how to handle them. Then you will know how to handle them when they occur later in the document. Remember, you might have to proofread other similar documents in the future. You not only want each document to be consistent within itself, but also with each other. The only way to have any chance of this is to build up these Style Sheets for each kind of document. Finally, watch out for Design Elements. Make sure artwork is placed on the pages with consistent positioning. Check that the thickness of lines is the same from one element to the next. If the art is at an angle, and the type is at an angle, make sure they are the same angle. Proofreading correctly is not easy. But it doesn’t have to be that difficult if you’re careful and you take the time you need.

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I made love with a multiple personality by MARIE KAZALIA

MARIE KAZALIA was born in Toledo, Ohio

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MARIE KAZALIA
I made love with a multiple personality			
the one-(of him)-in-control sat on the edge of my bed explaining the many aspects of 10 oops...forgot to count himself--eleven selves I asked if each one inside him had a name 'I haven't gotten that clever yet" he said Who's the one that giggles when he kisses me' he glances a flash of eyes from the side under a dark hat brim-- 'oh, that's just the silly one, are you going to miss him'" he asks yes, I say simply 'I'll tell him" he says So I asked if he talked to them all and they to each other he said 'yes" pressing things forward making it time to leave 'but the truth is...there's nothing there between us---you and me" he told me I knew it was true of this one, the one-in-control but I definitely had something going with the others

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Copyright 3006, all rights retained by the poet

poet: MARIE KAZALIA poet: DON DEWSNAP poet: MARIE KAZALIA  sitenavigation