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In Kraljevo by ELISAVIETTA RITCHIE



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ELISAVIETTA RITCHIE
In Kraljevo			
October flows in rivers boiling chill. A Balkan storm combs off all gilded leaves. Grey sheep are strewn across a rumpled hill. Strung peppers redden underneath the eaves. Five piglets probe the purpled cabbage rows. A fiddler charms his goat around the field. The bees fly heavily. Gold honey glows In jars along our sill. Jam pots are sealed. Ten pumpkins heap beside the wooden gate. Our harvest in this land of marigolds: Although we meet and love each other late, In Gypsy summer smoke of burning souls Twirls high, entangles in a scarlet vine. We press our grapes, drink all the garnet wine.

Copyright 2006, ELISAVIETTA RITCHIE, all rights retained

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Do I Really Write About What Seems Most Scary? by LYN LIFSHIN



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BULGARIYA
   

LYN LIFSHIN
Do I Really Write About What Seems Most Scary?			
Isn't it enough I've fought against it, ballet classes every day, often more than one. Do I have to tell you I was stunned by the letter from a woman who says "now in the gym the men stop looking." Do I have to joke "pull the plug if I can't do ballet," laugh when a friend says " I didn't sleep with him because I'd have to get undressed." Do I have to remember my mother saying she'd rather be dead than lose her teeth? Have to know if I stay slim, size zero in ultra sexy Victor's Secret jeans without more fat my face will look less lovely. I think of that friend who says she doesn't worry about what poem she'll read but what she will wear. Another says she wants plastic surgery but doesn't think it's right for someone in the arts, shouldn't she care about loftier things? I think of another woman who will only be photographed in certain positions. Do I have to tell you what I'm thinking about isn't death?

Copyright 2006, LYN LIFSHIN, all rights retained

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poetryrepairSHOP v06.09:107
Sarajevo by ELISAVIETTA RITCHIE
[earlier versions of "Sarajevo', part one, copyright 1990 Christian Science Monitor; part two, Home Planet News, 1990; Raking The Snow, Washington Writers Publishing House, copyright 1982 Elisavietta Ritchie; this version also appears in The Arc of the Storm, Signal Books, copyright 1998 Elisavietta Ritchie]


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ELISAVIETTA RITCHIE
Sarajevo			
1. June 1914
The Archduke is being driven from manoeuvres to the gala lunch. The shuttle shoots to the selvage on hundreds of looms. A watchman dreams of figs. The plausible trajectory has not yet met its mark. Skinny ghosts spin from the strings of the village fiddler. A cadet at attention too long sways in the sun. A shopkeeper counts his coffee beans. Flies land in bowls of honeyed milk. Heat and dust and blood rise from the quays in a furl of mosquitoes.
2. October 1979
Rain slides down entire horizons of onion domes, washes spires in darkening tears. Cold slips inside thin coats, soaked shoes. Unquiet mud oozes over bald cobblestones, hides shadows of old footprints. In the riverbank park snowberries glow death white. Parapets are decked with maroon petunias, velvety but the bridge is too narrow to bear all that history. Magpies stalk the wasted river for minnows, flies, and their own warped reflections. Downriver the waters run red: perhaps effluent from a textile mill. Prayer unwinds from a minaret. Tombstones crowd within cracked walls and rusted grilles. In a shuttered apartment a battered trumpet and accordion attempt a minuet. On these windy quays I also wait at a crossroad. Had Gavrilo Princep arrived in this colder season his fingers might have shivered too much on the trigger. But there are always other assassins...

Copyright 2006, ELISAVIETTA RITCHIE, all rights retained

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