"I had many things to write, but I will not with ink and pen write unto thee..."
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Blue Language SEXUAL CONTENT no apology SEXUAL CONTENT 40 pages chapbook of erotic poetry & prose by MARIE KAZALIA hand painted stenciled cover art -- signed & numbered limited edition $8. plus $2. S&H to US address Send CASH, CHECK or M.O. made payable to MARIE KAZALIA, to: RED HAND PRESS PO BOX 432344 SAN FRANCISCO CA 94142-2344

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MARIE KAZALIA
Blue Language			
Tonight I had my first orgasm in my right arm now I wanna play with the words-- how having an orgasm with such a long extended thing as my right arm makes me feel like a man doors swoosh open a sexy babe gets on the train big round breasts in a tight beige sweater-- hippy as an R. Crumb woman drawn--erotic an incredible sexiness about her she blinks and smiles playfully knit hat pulled down to her eyes next stop doors swoosh open then this she-woman got on long black hair--jeans and a powerful presence--everywhere I saw them coming at me-- sexy women--everywhere I was surrounded by them the train a long arm-- riding my orgasm home

©2006 MARIE KAZALIA

poet: MARIE KAZALIA poet: DAVID BISHOP poet: MARIGE O'BRIEN PoetryRepairShop navigation
"Poetry endangers the established order in the soul."
poetryrePAIRshop v06.11:123
Website, Tracker Mo's Den

Marige O'Brien works as a writer, web designer and Internet Marketer. Visit her for her latest recommendations in i-marketing tools and biz opps. Sign up for her own 100% original newsletter, Tracker Mo's Report.

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CENTRAFRICA
MARIGE O'BRIEN
Breaking Through Writer's Block			


Writer's block -- that sudden, seemingly inexplicable inability 
to put words to paper -- can strike any writer at any time. 
	
In fact, inexperienced writers suffer from it more often than they 
realize: they just don't recognise it for what it is. They think the 
lack of confidence, motivation or experience is based on a far 
more serious problem. They're half-right. What they don't realize 
is, that IS writer's block, or at least some of the symptoms of it.
But they are right about it being more serious, because writer's 
block IS serious. Fortunately, it's also curable, too. 

Writer's block is that worm of doubt that creeps into the writer's 
psyche, causing them to second-guess each word or thought 
they choose and to otherwise lose focus on their intent. The 
reason behind that loss is secondary, at least as far as defining 
writer's block. What matters is that writing is hard enough. 
When self-doubt or self-consciousness come into play, it 
becomes impossible for anyone. 

I know, having recently overcome yet another bout of it. 
In that case, it began when an innocent comment was made 
about my work. And it wasn't even about my ability as a writer, 
but about my subject matter. Had I not dealt with writer's block 
before, it might have been much more serious. Only experience 
allowed me to overcome it with relative ease. This time. 

And, while there IS a distinct process for conquering writer's 
block, the most important thing to appreciate is that it is much 
more than a mere "5 Quick Tips To..." system. Rather, it is a 
PROCESS, one that is unique to each person, as are the malady 
and the suffering. So, while the process can be explained, to 
describe it as "steps" only denigrates both those afflicted and 
the cure.
 
With that said, below is an outline for the process, which has 
worked successfully throughout each case of writer's block.
 
1. RECOGNISE IT 
We've all heard the cliche`, "recognizing the problem is half the 
battle." In the case of writer's block, this is especially true. 
BECAUSE it's so elusive, BECAUSE it can be chalked up to so 
many other things, understanding that THIS, writer's block, is 
the problem, really is the first step to overcoming it. 

Who has writer's block? Strictly speaking, just about anyone 
who thinks they can't write and/or anyone who creates a mystic 
about writing and writers. Because anyone who can read and 
write CAN be a writer-- maybe not a celebrity writer, but a 
competent writer, nonetheless. And, yes, a professional writer. 
Because writing is 90% skill/craft and only 10% imagination. 

2. THE SOURCE 
In almost every case, the demarcation of when the block 
began can be traced to a single instance. For some, it began 
with a casual comment or the opinion of a person the writer 
respects such as a teacher, friend or parent. For others, it's 
a particular disappointment: Not getting a particular job, not 
getting into a preferred college, not finding an agent or winning 
a contest. 

There is an infamous story of one young writer who papered 
the walls of his room with rejection slips. That writer? Ernest 
Hemingway. And, anyone who has wallpapered a room knows-- 
that's a LOT of paper! 

Which leads to the third stage of the process: 

3. ATTACK 
Hemingway never allowed those opinions/happenstances to 
stop him. Was it arrogance? Or simply the need to write which 
outweighed his need to receive approval. Whatever the case, 
the important thing to understand is that we Choose HOW these 
incidents affect us. 

If this seems to fly in the face of logic -- because, afterall, 
without acceptance, how can a writer ever succeed? -- it should 
be mentioned here that, while opinions do affect us, they should 
never derail us. For example, suppose Hemingway had allowed 
one of those rejections (which often include comments, helpful 
and otherwise) to alter his determination. The world would be a 
much poorer place. But he kept on. Perhaps he understood one, 
universal writing truth: no, SINGLE opinion is that important. This 
is because READING is so subjective. Anyone who has put down 
a well-recommended book knows this. Even best-selling authors
 have their critics, just as anyone who reads has their preferred 
writers as well as writers they dislike. 

So find the instance that sparked the block and look at it 
objectively. Question the source, question your own expectations' 
realism. Something about the incident unfairly popped the balloon 
of a your enthusiasm. Find it, break it down and question its until 
you gain perspective. And, yes, this type of introspection may take 
years. 

4. VALIDITY 
Writer's block cannot exist in a vaccum. That is, if a wrtier doesn't 
CARE about writing, there would be no block. It's precisely because 
one cares that the block exists. While this may seem obvious, what 
is less apparent is understanding WHY the writer cares: because 
they want/need to write. Stop looking for validity elsewhere. There 
is validity enough in the simple desire/compulsion to write. Simply
put: if you want to write, that's enough.
 
5. BRIDGE THE GAP 
Having established the problem, its source and found motivation 
in validity, all that remains is to overcome the actual block. 

(Hah! Is THAT all!?) It's true. Overcoming it CAN pose an extraordinary 
challenge. And, since this is an intensely personal challenge and 
dependent on the actual situation, all that can be said here is to work
to find some reconciliation. For example, in my latest case of writer's 
block, I realized that the comment was short-sighted and shallow since 
the commentator had only a vague understanding of the content to begin 
with. Realizing this, I managed to put it aside. 

And, if the problem is mechanical (grammar, punctuation, etc.), 
recognize that and work on it. In all cases there is a solution. It's 
just a matter of finding it.--mo 
 			

©2006 MARIGE O'BRIEN

poet: MARIE KAZALIA poet: DAVID BISHOP poet: MARIGE O'BRIEN PoetryRepairShop navigation
"Repair Your Mind...Read More Poetry!"
poetryrepairSHOP v06.11:123
I like this piece (v99.11:123) because it's packed. Bunting, the bird, is also draped clothe: black, for a funeral; it's true color, 'blue' is the color of sadness. A poem about a bird and about death.

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DAVID BISHOP
Indigo Bunting
"Indigo Buntings are actually black, but the diffraction of light through the structure of their feathers makes them appear blue." --Audubon Society Field Guild to North American Birds

And so, it seems
the bunting, like the sky
goes black at night.
Colorless,
without a smile from the sun.

I look at myself in the mirror
at midnight.

©2006 DAVID BISHOP

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DEPARDON, Raymond (1942)



		
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