"I had many things to write, but I will not with ink and pen write unto thee..."
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DAVID BARNES began writing at 18 when he took up folk guitar. As a full-time writer poet since 1996, BARNES has been published around Australia and at many online poetry venues in America, England and France. First published in the Paris/Atlantic, a literary journal in 2001.

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DAVID BARNES
The Carpenter 			

The truth of it: 
he looks on softened palms these days, 
no longer calloused ... 
calloused hands, which once shaped, 
planed the rich surface of a life cut down,
fashioned, carved 
into an intricate corner cabinet, hanging 
somewhere. 
Against the shed wall, 
Queen Anne stands incomplete, naked, 
awaiting her finale; 
and he knows that someone else will 
have to dress her. 
He sees yesteryears.
Blackened bloodstains, scars embedded 
in the worn workbench: 
where carved barley twists 
lie half finished. 
The truth of it: 
glue clamps and nails do not gather here anymore, 
his tools lie idle. 
All that remains is the fragrance of wood; 
the memory of calloused hands.	
poet: DAVID BARNES NAZVI CAREEM poet: MARIAM NEIGER poetryREpairs navigation
"Poetry endangers the established order in the soul."
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NAZVI CAREEM is an experienced journalist, writer and writing coach who has written for newspapers, magazines and global news agencies such as Reuters, Associated Press and Agence France-Presse. To download a free chapter of his book on news writing secrets, check out his website dedicated to the art of news writing.

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NAZVI CAREEM
News Writing Bloopers – 4 Common Journalism Mistakes


News writing is supposed to be the embodiment of perfectly produced prose. However, the reality is that it is the source of more grammatical, contextual and typographical mistakes than probably any other professional writing genre.

Few are spared, whether they are experienced journalists with high-quality literary skills or rookies with limited vocabulary. All journalists would admit to having certain weaknesses that are manifested in their work. None are immune to mistakes.

Some media outlets employ tougher editorial standards than others but the gatekeepers are all human and mistakes inevitably sneak through.

However, there is a difference between genuine mistakes and errors that defy the language. Unfortunately, there are still many bloopers in print, television and the Internet that are the result of ignorance.

Because no one picks up on these errors, they are allowed to perpetuate and, after a while, these words, phrases, syntax or misspellings morph into acceptable entities, while its original correctness fade.

When learning how to write like a journalist, many cadets are not taught basic language rules. Although there are plenty of examples, here are just four common mistakes that writers all over the world continue to make.

Dilemma – You see this kind of sentence quite often: “He faced a dilemma on whether he should go to Harvard or Yale”. Wrong! I’ve also read dilemma being written as synonymous with problems. Again, wrong. Dilemma is when you have only two choices and both are undesirable. So, if you have a choice between jail and a big fine, then you are in a dilemma. If you have a choice between a promotion at your current job and more money in another job, then that is not a dilemma because both paths are attractive.

Enormity – It appears the traditionalists may be losing the battle when it comes to this word. Enormity, in its original meaning, does NOT mean huge. It is not the noun for enormous, which is enormousness. Enormity actually means the quality of being outrageous, or wickedness. However, it has been so commonly used to refer to great size, it appears even dictionaries have given up because I’ve seen recent editions include both meanings.

Alternative – This is another word to do with choices. However, alternative refers to only ONE other choice. If you are unhappy with your job but you have one offer from another company, then you have an “alternative”. If you have two other job offers, you have “other choices” or “options” but NOT “other alternatives”.

Refute –At one time, the newspaper I worked for banned this word because a building full of so-called experienced journalists from Britain, United States, Canada, Asia, Australia, New Zealand and South Africa were consistently getting it wrong. Refute cannot be used as a synonym for deny. To deny something is to say you didn’t do it. To refute is to prove you didn’t do it with evidence. In addition, don’t confuse refute with rebut. Rebut means to argue to the contrary using evidence. To refute is to use that evidence to prove and win your argument.

These are only four examples from many in news writing. While it is understandable for amateurs or part-time writers to get it wrong, news writing professionals should know better. Mind you, it happens to the best of us and it is simply a case of learning as you go along.

Nazvi Careem is an experienced journalist, writer and writing coach who has written for newspapers, magazines and global news agencies such as Reuters, Associated Press and Agence France-Presse. To download a free chapter of his book on news writing secrets, check out his website dedicated to the art of news writing.
©2007 poetryREpairs material is published under first electronic publication rights; all rights revert to or are retained by the author/poet of the works published). page design ©2007 by poetryrepairs and JohnHorvathJr.

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Jamaica

MARIAM NEIGER
Ghost Forests

The Carpathians 
Woolly threads of conifer breath
rise, tiny bent souls.
Sheep curdle into small clouds.
On the slopes, a ghost forest – 
strangled spruce, 
green only at the top;
underneath, gray sticks, 
broken branches like stunted antlers. 
No one enters 
this forest of nothing –
you’ll only get scratched, 
slip on the needles and fall – 
Still I press into the thicket,
squeeze between spindly trunks,
until like a starveling tree
I stand in the inner dusk, 
Still I press into the thicket,
squeeze between spindly trunks,
until like a starveling tree
I stand in the inner dusk. 
Beyond, crescents of meadows.
Sunlight beads the bowed
tips of grass.
Grandmother weaves for me 
crowns of white clover.
What gray hunger draws me
past the smiling green 
into the ghost forest – 
As if there weren’t already 
too many dead – 
As if each silent tree said, 
You shall know.

	
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