"I had many things to write, but I will not with ink and pen write unto thee..."   POETRYrepairs v07.09:107
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"I'm not going to have some reporters pawing through our papers. We are the president." --Hillary Clinton (Co-President of the U.S.) commenting on the release of subpoenaed documents

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VALERIE MACEWAN
Delays			

The bag lady in my head
keeps slamming her 3-wheeled shopping cart into my filing cabinets, 
spilling her odd collection of forgotten discards and oft-wanted 
memories.

And I have to stop what I'm doing
to dust them off and put them back into the cart.
Rearranging schedules, priorities and emotions, taking needed moments 
of reality to bathe in sentiment and retrospection, as I pause to 
consider the contents.

A neglected image of you holding the baby and your slender smile as 
you listened to my schemes pour out of the bag lady's box of images.

I had to suspend all transactions and cease operations and sit in the 
rocking chair and watch the hummingbirds.


The Oxford English Dictionary defines REPAIR: Concourse or confluence of people at or in a place; resort, frequent or habitual going; making one's way; to arrive; to dwell; to heal, to cure, to recover; to renew; (AND!) to fix to original condition. In each sense, www.poetryrepairs.com
"Poetry endangers the established order in the soul."   poetryREpairs v07.09:107
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SUZANNE SCARFONE
Think of It As a Pleasant Change			

Think of It As a Pleasant Change 

On this day the sun speaks
and you put your chair down
in the grave.

You are wearing a bright March hat and
gardenias as big as hope.
You have already filled a bag
with heliotrope and timpani
the teacups of governors
the words of five fine cads and
now you read aloud from an
instruction manual.

Arrange the drawing room in the dirt and
wait, without sneezing, without missing
the milkman's note, the wisteria and
baby's breath that would not grow,
the sway your life collected.

Forget the sounds of winter rain, the humming moan,
the plaintive crow of gods
dizzying an ocean of seaweed to bloom.
Then you set up house in the ground.

Behind you, in a past that's always there,
the Pennsylvania hills flower
gooseberries the size of hands.
Sour, your mouth rough with green,
they steer you home a mystery.
And your parents jitter and bless and
breathe you asleep and
talk about trees and men who work and
sob fables on which to rest your head.

As I gather your portrait inside my throat
and make you leave, think of it
as a pleasant change
a retreat through space
a garnet room or even a
meeting of wombs.

You jump into the harmless trench with a breath
drawn in to release later,
and your arms slide down to greet
Edna and Gertrude and Sadie and Fern
in the meadow just below the dream
you played in as a child.
Your fingers, gliding from my eyes,
become a cry,
a flaw as full as dawn
in a forest that cannot exist,
and then you set up house in the ground.


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KELLY WHITE
I will not do this one more day			

for Sache'
The funeral program has a teddy bear with wobbly glued on eyes— I suppose there must be children in attendance, rows of little girls in scratchy petticoats and shined shoes squeezed between grandmothers' knees and squirming, jiggling, frilled socks and patent leather toes busy, you can see she squirmed—Sache' Waters, 5 years old, hip cocked, dark glasses, pretend champagne glass, microphone— twelve pictures make a clock face around her kindergarten portrait, Sache' a newborn, sleepy, plumper, baby, peering from under a blanket, smeared spaghetti face in a high chair, Sache' in Eagles sweatshirt, Phillies hat, on Santa's lap, in bathrobe, bathing suit, tutu, sequined tap recital, Barbie-princess-halloween, laughing, the thirteenth an angel smile, cheek laid on two sleepy hands, blue backdrop with fluffy white clouds. A rainbow. "Sunrise 7/7/01-Sunset 9/2/06," shot dead in her mother's car. Midnight. The wrong street. Wrong neighborhood. A gang mistake. The country is lost. I don't want it, don't want to see the pink and purple bear clap his paws, don't want to remember birthday cakes and candles blown out— I just walked by the patients in the waiting room, didn't even nod, had to go back, lay my head on my desk, but my desk isn't low enough, had to lay my face on the floor, below stained ceiling tiles and the smashed wall above I think—a permanent memorial, handprints, baby shoes, faces; Shirley knocks on my door. She's crying. I have to leave off praying. She says today in Paradise, ten little Amish girls. . ..


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