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SAID SHUAIB
Looking for Bread			


Sunset has come so has the rain, 
wind of life ordinary and plain. 
Take me somewhere to live to last, 
no time to tell help bury the past. 
I see flowers and leaves let me stay, 
no hunger or thieves no blood to pay. 
Africa is my home let my heart be free, 
to live in the world to give to see. 
Morning has come and now silence is dead, 
i must wake 
again to find my bread. 
--- copyright SAID SHUAIB

Nigerian poet SAID SHUAIB is new to poetryREpairs and to international literature. His is a style rarely seen on these pages; nonetheless, the content is worthy of a reading both for similarity of thought and for its dissimilar details. 'Looking for Bread' from Signature of Time is published here with the poet's permission.

REPAIR: Concourse or confluence of people at or in a place; resort, frequent or habitual going; making one's way; to arrive; to dwell; to heal, to cure, to recover; to renew; (AND!) to fix to original condition. Oxford English Dictionary

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LYN LIFSHIN. ALL ABOUT ME
Do You Ever Feel Like One of Those Women in Saudi Arabia			


who can't even go out in a car alone
let alone appear publicly at a book signing?
At least, not unless you're ambitious and
fearless, of course careful what you write
beneath your veil. Not that a lot of all
poetry isn't veiled. Lets say you were
hidden, only your eyes looking intent. Sure,
you're ok. I had a mother who let me read 
Snows of Kilimanjaro when other mothers
hid that book but later she shook her head 
over a poet about an explicit way to eat
chocolate. "Some day you are going to 
meet a man you like and then he'll read
your poems. You hear one man say "if
my wife wrote what you do, I wouldn't let
her out of the house." Another says, "at 
least I'll never have to hear that  poem again."
Of course I'm exaggerating. It's what writers
do. I read this poem tho the man  I'm with
isn't thrilled. But there are times, like this
morning when he put his hands over his ears
or when someone writes about some dress I
wore, or its length, or my teeth or eye shadow, 
I think I might as well be in a burka.  "Get over 
it," I'd like to say as a young Arab poet did 
on a call in show on Arab satellite TV when some
one complained her hair was showing. That's 
what I'd like to say to more than one person
this morning and if asked "who allowed me to
do what I'm doing?" give the same answer
she did, "no one."

--- copyright LYN LIFSHIN. ALL ABOUT ME

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PEGGY MEEKS-KING
'Ground Zero'


Bombay ash falling like new snow
on a black man wrapped in the American Flag
tears flooding his eyes, stars of silver on his back,
Lady Liberty standing still
with a great pale flame; a gift from France.

Fear, thick as an early morning fog after a
Summer's rain,
the screams of pain lay open like a wound,
sounds like Israel in many ways, not just another day,
no one can explain it, no one can at all.

The streets are busy with Heroes,
mothers stand there, they are the mothers
of the disappeared, who have prayed for peace;
year after year.
Fire and smoke can be seen for miles around.
Nothing is clear anymore, nothing makes sense.

This is America 'home of the free land of the brave'
this can not be, this can not be, I over heard someone say,
it was a man from Russia come to trade in the USA.
And
I wonder myself what J.F.K. Jr. or John Lennon or
Albert Einstein would say, would think
of a world on the brink?

Bin Laden did not take into account that day
that this is America the 'melting pot' of the world
with its many colours like a sweet rainbow and people from
every part of the earth, from all walks of life, even his own men, women and 
babes,
are here and call this wonderful place home,
this is what makes America
Great;
not its money, not its power.

--- copyright PEGGY MEEKS-KING. "'Ground Zero'" was previously published on poetryREpairs 02.01:007

'all the fine arts are species of poetry'
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