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KATALIN LADIK
Balkan Express			

I'm further away from you than the ocean liner on the cornfields.
The hurtling electric poles are black masts.
I'm at such a great distance, that a winning sailboat can't reach 
me to tear me apart. I'll be even further away when I arrive.
Here only thirst is present, and an aching voice from the abyss.
It's only a dream--I whisper, inspired.
An angel tumbled down on this place yesterday.
Now everybody is a diary writer, multiplying history.
In the doorway a swan embraces a shotgun.
The engineer is an ash colored old man with an empty eye-socket.
I'm getting further away as I'm approaching you, 
a sparrow clashes with the window.
Giant black stove pipes are roaring inside me,
where are you? It's dark in here, it's horrible.
If this is history, then I won't touch you,
don't wait for me when I arrive.
--- copyright KATALIN LADIKfrom Swimming in the Ground, an anthology of Hungarian poetry (Neshui Press neshui62@hotmail.com) translated by GABOR GYUKICS

REPAIR: Concourse or confluence of people at or in a place; resort, frequent or habitual going; making one's way; to arrive; to dwell; to heal, to cure, to recover; to renew; (AND!) to fix to original condition. Oxford English Dictionary

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EDWARD B.TOUPIN
The Chi of New Homes ... Feng Shui-ness and Destiny

When my wife and I were searching for a new Las Vegas home in 2002, we wanted it to have a solid foundation based on Feng Shui principles. My wife researched the essentials and we decided to build a home that met our needs and supported good Chi. The internal layout of the furniture was a slow process because we want to ensure that everything "was energy (Chi) efficient". We even went so far as to pick a plot of land that had a curvy street in front and located on a hill with a view of a "city of money". With all of the work we did in building the structure and embellishing the interior, the house feels fantastic and the energy feeds us and moves us forward!

This positive experience tickled my curiosity and I decided to assemble some of our observations, based on our initial house hunting and, later, my interest and research. In the Las Vegas area, I focused on Feng Shui "compatibility" based on empty new-builds. All of the homes were built within the last five years and were unoccupied. I acquired a few pictures and compared the structures and placement of built-in components (i.e., doors, windows, and potential placement of furniture as necessitated by the structure) to several books and resources I have available on Feng Shui. In the end, I noticed some consistencies with regard to the class of individual for which the homes were built.

Since we are newbies to Feng Shui, I submitted the research to a few Feng Shui experts to see if we were "in the ballpark". Some of the conclusions I came up with and discussed with these experts were:


* For homes within the Upper class of society, the structures were built to support power and money.
* For homes within the Upper-Middle class of society, the structures were built to support employment and consumption.
* For homes within the Lower to Middle class of society, the structures were built to support production.
* For homes within the Retirement class of society, the structures were built to support endings and isolation from society (e.g., foot of bed facing an external door).

This all seemed interesting in that the type of home built seemed to fit within a particular need or desire for a given societal class. It also seems to be that people purchase a home that supports the issues and lessons on which they are embarking. This approach is a hidden, and ingenious, psychological "marketing gimmick" for builders. Indeed, most people will always go toward that which is the most comfortable.

Of course, one cannot specifically reference outcome by class regarding the selection of the home structure. However, it seems that the architecture of today reflects the mind set of the country as a whole. While, in the long run, many choose the best house they can afford for their family, comfort, and lifestyle; however, most are unconscious of the effects of the space while focusing on the structural illusion.

--- About the Author --- EDWARD TOUPIN is an author, life-strategy coach, counselor, Reiki Master, technical writer, and PhD Candidate living in Las Vegas, NV. Among other things, he authors books, articles, and screenplays on topics ranging from career success through life organization and fulfillment. Check out some of his recent print and electronic books as well as his articles covering various life-changing topics!


--- copyright EDWARD B.TOUPIN

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JOHN HORVATH JR
Red Beans and Rice			

Lemon glazed prawn rest on a carp roe
curry in a deep blue porcelain platter
center table around which heads bow
in prayer; one tow-haired lad corner
eyes a possibility of served a whole
plate that he must devour all alone.

And we come this way slowly to carry
in us crime others had committed and
we come to call it guilt for some first
sin we are compelled to wash away.
We work with hard drink to wash it out.
Forget elements of time and place from
which it subtly wound its purpose deep
into innocent hearts. How many long
frosted glasses of pure mountain stream
water fine as Moses tapped must we
drink to wash away these simple sins?

I lied. 'I did not feed it to the cat';
but, purrs deny my skewered truth.

On Monday morning bus to school
some child stinks of kim chee well
made by mother's planting in new
soil. Or a redhead gal whose mulligan
wafts from mid to end of bus entices
'come on back; I am a lamb for you.'
Clear the air behind that lad who sits
behind, one back from driver's seat,
a boy who dreams himself to be a chef!

This woman's massive mouth an outcrop
into a vile sea of slime. I call her 'mine'.
No plant, fauve red or true green, grows
she has not cooked or baked or steamed
or fried or tortured into tasteful side,
a splendid dish that makes taste buds
riot from one to other end of tongue
then down the throat, a laughing liquor
from a table spread with what-else love.

Some have no guilt; they glut.
And fathers of other kids warn
how that one's hands are weak,
the wrist too girlish, or his lisp
is an everyday offense. Watch.
There's more than garlic there.

But he can cook, will cook,
shall burn treats for demon souls
trapped into their narrow mindless
seats at tables where they must eat
delightful servings of unknown this
and oh-so-lovely tasting that. They pay
a savings for a taste of 'it'. Who is
worse off? The sinner or the one
who leads them into sin?

Her foul mouth curses him
when it's not perfect to her tastes. 
--- copyright JOHN HORVATH JR. "Red Beans and Rice" was previously published on01.01:012

'all the fine arts are species of poetry'
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