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ANJANA BASU
Who is He?			

Shopping bag bird sky
wide sky broad stretched 
on the shoulder of a green hill

I look for high streets and 
goose cackle people
but the empty skies
cry clouds and bird song

The sun slides its warm fingers 
over my legs to evening
Bees glide in sunset waistcoats 
in an ominous drone.

Spring shuffles its shoulders
slowly slipping into leaves
the green dress stitched 
with pink and blue

second best before summer's parade 
of purple heather bloom
She dances on the hills
trails her perfume 

through the closed brown rooms
until day follows helpless
never mind about summer
Summer is old

Slip out of your green dress again
And veil yourself in mist
--- copyright ANJANA BASU

REPAIR: Concourse or confluence of people at or in a place; resort, frequent or habitual going; making one's way; to arrive; to dwell; to heal, to cure, to recover; to renew; (AND!) to fix to original condition. Oxford English Dictionary

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SUZANNE HARRISON
Write About Something That Will Change Your Life

It's been said that you should "write about what you know". It's also been said that doing that condemns you to a life of boredom as you'll never grow beyond your current limitations.

Not very helpful, is it?

I actually subscribe to the "write what you know" line of thought, but with a bit of a twist. I encourage writers to write about what they know on an emotional level.

Try writing a story that heals YOU. Emotions are the universal language. We all feel the same feelings, we may just experience them in different ways. We all recognise joy, love, peace, anger, resentment, jealousy and fear and when you tap into this universal language with your stories, you speak to the hearts of all readers. As you and your characters go on the roller coaster ride, your readers will go with you, and as you and your characters heal, so too will your readers see a way out for themselves.

Have you ever read a novel that's changed your way of looking at the world? I certainly have.

Fiction writers offer real solutions. Real emotional solutions. We may not show you how to fly to the moon, or how to crack the property market and walk off with millions, or how to build a retaining wall, but we can show you how to really live your life, how to relate to others, how to relate to yourself, how to heal relationships and how to lead more blissful lives.

And that's pretty terrific, don't you think?

Writing About Something That Will Change Your Life

Now by this I don't mean sitting back and thinking, "What would change my life? I know! Divorcing my wife/leaving my job/selling my business and trekking across Africa/buying a ski lodge in Switzerland/running for President". That's not the type of change I'm talking about.

I'm talking about real change - the type of change that starts on the inside and works its way out. And while it may eventually manifest in divorce, resignation, liquidation, travelling, new businesses or political aspirations, it is not the way the change looks on the outside that matters as much as how it looks on the inside. And once you get the inside right, the outside takes care of itself.

As writers of fiction we are constantly living inside our own imaginations. True creativity occurs when experience meets imagination. The best way to write stories that resonate with others, that capture them from the first page and don't let them go until the last, is for you, as the writer, to delve into your own basement of emotional experience and retrieve images of universal resonance to deliver to your readers.

JK Rowling said that the Dementors were definitely born of her own depression. The mirror of Erised was her own desperate desire to spend just five more minutes with her own mother, who passed away as she wrote Harry Potter and the Philosopher's Stone. Harry's search for a family of his own was paralleled by Jo Rowling's desire for the very same thing in her own life.

You need courage to be a fiction writer. Courage to expose your own wounds, courage to go to the places you haven't been before to heal them, and courage to decide you have the strength to go on the journey in the first place.

We have all had our ups and downs in life. And saved somewhere in our unconscious databases, are all the emotions, all the traumas, all the joys and all the images of our lives. As you access these buried emotions, a curious thing will happen. You won't necessarily relive the actual events that happened to you. By drawing on the emotion, and allowing it to be your guide, your imagination will fill in the missing bits, and you'll find yourself retrieving images, scenes and situations that may be very different to your own actual experience. Writing a memoir or autobiography is not the goal. Writing a story with emotional resonance that others will want to read is. .

Exercise

Sit with your feet flat on the floor, hands resting on your thighs, your eyes closed. Take 3 to 5 deep breaths. Now in your mind's eye, see a spotlight shining on a brightly lit stage. Step into the spotlight. Take a few seconds to grow accustomed to the shift in perspective. Now I want you to feel real anger. Feel the heat of it coursing through your body. How dare they? What right do they have? Ask yourself these questions over and over in your mind until you have worked yourself up into a white heat of fury. Now in your mind's eye, allow an image to form around you, the source of your anger. What's happening? Who is there? What can you hear? Coming up with a first sentence, write for 10 minutes on what happens next.

When you've completed this exercise, take a break, or come back tomorrow and try this next exercise. Following exactly the same process, feel forgiveness instead of anger. Allow the sense of true forgiveness to envelope you. Then when you are ready, allow an image to rise in your mind's eye, and coming up with a first sentence, write for 10 minutes.

Did these two pieces of writing connect at all? Did the forgiveness relate to the anger, or vice versa? Don't worry if they didn't. Just know that as you utilise this process when writing a story, you will write a progressive story of great emotional resonance, and in so doing, you will be unconsciously training yourself to experience this journey in your own life.

This is a simple exercise to show you the power of accessing your unconscious through emotion. Once you become accustomed to using this method, you will find all kinds of magical thing occurring to your writing, and all kinds of wonderful healing occurring in your own life.

--- copyright SUZANNE HARRISON

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KIM WELLIVER
Neanderthal

We find whispers of you, lost brother,
in Lapedo Portugal; that lush, rocky Iberian valley
ochre wrapped like a sleeping seed
sown in the blunt arctic leg bones,
of a four year old child, carefully snugged 
in Paleolithic clutter: delicate twigs of red deer bones
and horse teeth like a scatter of yellow dice
a pendant shell drawn from ancient dreaming seas
and the semi-articulated xylophone of rabbit ribs. 
Three thousand years after rumor of your ignominious death
twenty-five thousand after those who followed,
we come upon you hidden in the Lagar Velho child, 
like a secret prayer, like a stolen promise of immortality.
How is it that you came across the distant years,
undaunted, bearing your genes like a standard;
a banner of skins. Did you, isolated, alone
striding your icy home, find the need for another?
Were you some coarse suitor bearing gifts
of swan bones, fox teeth, the useful jaw of the hyena
come amongst a tall race with your own arctic bones, 
the short powerful limbs tempered by the tundra?
Did you, driven by hormonal madness, 
you could not understand, but must be slave to, 
mutely follow, half turned away in hard humiliation
come before these who carved the hunt
upon stone walls, who tamed
the colors of earth and blood to breathe there,
did you come to these, who wooed fire
from the heavens, and woo a mate?
How else can it be that we have found you? 
How else, over a triple century your blood, your bones
live on, in Cro Magnons's child.
I must confess I'm glad that knuckled and hirsute
rough as a cobb, you continued, lent your strength
to the tropic brood and their long limbs, 
until only the bones of a four year old child
wrapped in a shroud of ochre-smeared skins
concealed in Portugal's secret earth, 
can know your story, and whisper it
softly to us.
--- copyright KIM WELLIVER. "Neanderthal" was previously published on poetryrepairs 01.02:020

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