"I had many things to write, but I will not with ink and pen write unto thee..."
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DAVID McLEAN
courtly love forgets the lesion that is the ego			

rituals of courtly love gnawed down by time's eternal tooth,
god forgotten, god-forgotten masters ecclesiastical
authenticated solemn sixteen mediaeval prepuces of jesus.

love was ever mystical, brings unknown creeping feeling
to beaten-down hearts and must surely be a good thing
for some - yet here in word invisible, a secret

the happy ones tell each other, the happy hominids
like Nancy and Sid, not forgetting the courtly love Kurt felt
for Courtney Love.

as good as any other, god wot, that love was,
inscribing again down time the sometime lies we tell
each other, the lies we tell ourselves,

blessed anything that streams unpain upon us these days
so dog bless love and the hormones creating it,
if love brings the good then love is good

like any other benign curing illusion reassuring,
like any other therapeutic hypnosis medicinal,
like any other drug,

it were well if lovers' nights were longer, they say,
that day not intrude with Eos' prying prurient eye
to stay their pleasures with fugitive shame, that love not be the same.

drunk already at an earlier breast though dawn
equally unwelcome be for me unloving, unloved,
and nameless faceless shameless without Amanda's latter graces.

tedious and fastidious one may probe the evolution
of chevalric love - its convoluted progress
convolving the genders and the unmystical members involved;

surely several legitimate bastard tendernesses love may claim
and wear proud in its own vaunted name.
and who would dream of denying this?

but the wise soul-searchers, Lacans and Freuds,
have unlaughing delved deep in our self-trenches,
amatory seeded our psyches with budding shoots of knowledge;

is love possible for a being that not know what it is?
can a person say indeed this is me and surely i love?
what overweening hybris is not this?

deeming the own judgement the proof of love,
knowing sure the self and its innermost tendencies
and assaying with gibberish a heart to move?

(such were the platitudes of the poverty of poetry,
word-impotent dooming auto-oblivion -
forgetting the self our subtle lesion.)

ever remember, children, the self-forgetting dialectics of recognition
a younger and wiser Hegel dreamed in his frisky "Phoenix"
when his belovèd Marie's anger deepened his reason;

for they are a sounder answer sounding through history,
and even a "me" has strings to answer to an older Eros' hoary mystery,
without the chevalric, without nightfall's sonnets,

without the patriarchy's economy of brutalising promises,
inexpressible love eluded this poem's evasive meaning
when her dream of nothing gave reason its resonant reasons
slowly believing.	
© DAVID McLEAN

REPAIR: Concourse or confluence of people at or in a place; resort, frequent or habitual going; making one's way; to arrive; to dwell; to heal, to cure, to recover; to renew; (AND!) to fix to original condition. Oxford English Dictionary

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"All the fine arts are species of poetry." - S.T. Coleridge
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DIXIE
GARRY GAMBER
Shakespeare's Sonnet XVIII

Shakespeare's sonnets require time and effort to appreciate. Understanding the numerous meanings of the lines, the crisply made references, the brilliance of the images, and the complexity of the sound, rhythm and structure of the verse demands attention and experience. The rewards are plentiful as few writers have ever approached the richness of Shakespeare's prose and poetry.

"Sonnet XVIII" is also known as, "Shall I Compare Thee to a Summer's Day?" It was written around 1599 and published with over 150 other sonnets in 1609 by Thomas Thorpe.

The first 126 sonnets are written to a youth, a boy, probably about 19, and perhaps specifically, William Herbert, Earl of Pembroke. His initials, W.H., appear in Thorpe's dedication, and the first volume of Shakespeare's plays, published by two of his fellow actors, Herminge and Condell, after Shakespeare's death, was dedicated to William Herbert.

"Sonnet XVIII" is one of the most famous of all of Shakespeare's sonnets. It is written in the sonnet style that Shakespeare preferred, 14 lines long with three quatrains (four rhymed lines) and a couplet (a pair of rhymed lines).

The Sonnet praises the youth's beauty and disposition, comparing and contrasting the youth to a summer day. Then the sonnet immortalizes the youth through the "eternal lines" of the sonnet.

First Quatrain

The first line announces the comparison of the youth with a summer day. But the second line says that the youth is more perfect than a summer day. "More temperate" can be interpreted as more gentle. A summer day can have excesses such as rough winds. In Shakespeare's time May was considered a summer month, a reference in the third line. The fourth line contains the metaphor that summer holds a lease on the year, but the lease is of a short duration.

Second Quatrain

This quatrain details how the summer can be imperfect, traits that the youth does not possess. The fifth line personifies the sun as "the eye of heaven" which is sometimes too scorchingly hot. On the other hand, "his gold complexion," the face of the sun, can be dimmed by overcast and clouds. According to line 7, all beautiful things (fair means beautiful) sometimes decline from their state of beauty or perfection by chance accidents or by natural events. "Untrimmed" in line 8 means a lack of decoration and perhaps refers to every beauty from line 7.

Third Quatrain

This quatrain explains that the youth will possess eternal beauty and perfection. In line 10 "ow'st" is short for ownest, meaning possess. In other words, the youth "shall not lose any of your beauty." Line 11 says that death will not conquer life and may refer to the shades of classical literature (Virgil's Aeneid) who wander helplessly in the underworld. In line 12 "eternal lines" refers to the undying lines of the sonnet. Shakespeare realized that the sonnet is able to achieve an eternal status, and that one could be immortalized within it.

The Final Couplet

The couplet is easy to interpret. For as long as humans live and breathe on earth with eyes that can see, this is how long these verses will live. And these verses celebrate the youth and continually renew the youth's life.

"Shall I Compare Thee" is one of the most often quoted sonnets of Shakespeare. It is complex, yet elegant and memorable, and can be quoted by men and women alike. It has been enjoyed by all generations since Shakespeare and will continue to be enjoyed "so long as men can breathe, or eyes can see."

Sonnet XVIII, Shall I Compare Thee?
By William Shakespeare
Shall I compare thee to a Summer's day? 
Thou are more lovely and more temperate: 
Rough winds do shake the darling buds of May,
And Summer's lease hath all too short a date: 
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm'd;
And every fair from fair sometime declines,
By chance or nature's changing course untrimm'd: 
But thy eternal Summer shall not fade 
Nor lose possession of that fair thou ow'st;
Nor shall Death brag thou wander'st in his shade,
When in eternal lines to time thou grow'st:
So long as men can breathe, or eyes can see,
So long lives this, and this gives life to thee. 

© GARRY GAMBER
GARRY GAMBER is a public school teacher and entrepreneur. He writes articles about politics, real estate, home businesses, health, poetry, and books. He is the National director of Good Politics Radio and owns an online Book Wise bookstore.

poetryREpairs.com welcomes your essay on any topic related to poetry.

"Poetry endangers the established order in the soul." - Plato
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KENN MITCHELL
Flowers ( from: THE KING OF OAFS)
Dirt is not more magical than the hand that holds it. She told me flowers were simply smiles left for strangers -- embroidered rose bud on her left hip pocket - there was no significance, she said. We discussed the philosophy of Sam Beckett. I told her we were all as if Vladimir, attempting to make paradise of oblivion. She said I was damned at birth, but she knew the formula to salvation. I was a willing convert, to her mouth & fingers. She smiled like a vapor I could not capture.

© KENN MITCHELL.
"Flowers ( from: THE KING OF OAFS)" previously appeared on poetryREpairs 01.03:035

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